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Stephen ‘Mal’ Mallinder and Chris Watson have added this Brighton date to their sold out autumn tour marking 50 years of Cabaret Voltaire live.

This tour celebrates half a century since Cabaret Voltaire, one of Britain’s most influential and pioneering electronic bands, first performed live at the Sheffield Students Union Refectory on 13 May 1975.

In the current climate of social turmoil and political manipulation, and the prescient work of Cabaret Voltaire continues to be necessary. The sounds, words, images and films of the band still resonate loudly, continuing to challenge the status quo.

The 50 year anniversary shows will curate this essential work and to acknowledge the timeless energy and to mark the continuing significance and power of what Cabaret Voltaire achieved. Original members Chris Watson and Stephen Mallinder are committed to staying true to the enduring vision of Cabaret Voltaire. The performance will cover the arc of their formidable output, from early experiments and the first Rough Trade / Factory releases, through the band's Doublevision video label and into the work with renowned producers such as Adrian Sherwood and Marshall Jefferson.

Stephen Mallinder explains: “The live set is built from scratch but faithful to the original tracks. Everything has been painstakingly reconstructed with the original technology and processes to build the tracks. But as with all Cabs live shows there is an element of unpredictable, the new. Chance meets causality.”

Chris Watson goes on to say: “I’m delighted and totally thrilled to make a contribution to the band’s 50th anniversary. To share a stage once more with Mal and to honour Cabaret Voltaire's legacy will be a unique privilege, whilst remembering that in the current times – as back then - the Dadaist interventions of Cabaret Voltaire remain essential.”

"It’s impossible to overstate how ahead of their time 'the Cabs' were. Regularly crowned the godfathers of the Sheffield scene, inspiring a wave of late 1970s groups such as the Human League." The Guardian

Image credit: Pete Hill